Mar 012015


Written by Diane Warren

When you find a song written by the hit-making pen of Diane Warren, crafted by super-producer David Foster and delivered by the legendary voice of Lionel Richie, good chances are that you are thrown into an elegant adult contemporary heaven. This was the case with “The Closest Thing To Heaven,” a sweet ballad included on the former Commodores singer’s 1998 cd “Time.” “The Closest Thing To Heaven” was a love song that reaffirmed Warren ’s uncommon ability to pair a gorgeous, catchy melody with an irresistible hook that was stuck in your mind the moment you hear it for the first time.

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Feb 222015

 from FLY AWAY (single)

Written by David Foster, Carole Bayer Sager & Peter Allen

The late R&B/adult contemporary singer Stevie Woods enjoyed a brief stint of chart action in the early eighties after the release of his noteworthy debut album, “Take Me To Your Heaven.” The album was released in 1981 under the production of Jack White of Laura Branigan fame. “Take Me To Your Heaven” was a delicious collection of black-pop that showcased the warm timbre and excellent phrasing of the singer who was stylistically influenced by the incomparable Johnny Mathis.

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Feb 152015


Written by Paul McCartney

Diana Krall can seduce with a sultry, soulful song or fascinate with an upbeat, playful melody. Hers is one of the most important names in the jazz world during the past twenty years. Born and bred in Canada , Ms. Krall has taken the music world by storm with her amazing alto voice and superior piano playing skills.

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Feb 082015

 from MISS M

Written by Alan O’Day & Tatsuro Yamashita

The 1980 album “Miss M” from Japanese icon Mariya Takeuchi included the song “Every Night.” This soulful composition was co-written in the late seventies by deceased singer/songwriter Alan O’Day with Tatsuro Yamashita, a Japanese pop music icon and gifted songwriter/producer. Yamashita was married to pop singer Takeuchi who was a celebrity in her home country. Around 1980, Takeuchi recorded “Every Night” in Los Angeles with David Foster and Jay Graydon in the control room.

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Feb 012015


Written by David Foster, Conrad Pope & Linda Thompson

The connection between David Foster and the movie industry has been exceedingly tight and very successful. The Canadian hit-maker contributed great songs to an endless list of big budget films including “The Karate Kid Pt. 2,” “Forget Paris,” “Ghostbusters,” “Urban Cowboy,” “Message In A Bottle,” “The Mirror Has Two Faces,” “Sleepless In Seattle,” “Casper” and “The Bodyguard.” Foster also wrote the score and crafted all the songs for many hit movies including “St. Elmo’s Fire,” “Two Of A Kind,” “The Secret Of My Success,” “Stealing Home,” “One Good Cop” and “The Quest For Camelot.”

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Jan 252015


Written by Bill Champlin & Richard Page

The years between the late seventies and early eighties often saw David Foster embedding dynamic and punchy horn arrangements into his productions. The Canadian Hitmaker’s close collaboration with arranger supreme Jerry Hey brought to life fantastic horn charts that can be appreciated on legendary recordings by Bill Champlin, Peter Allen, Boz Scaggs, Deniece Williams, Airplay, The Tubes and Average White Band. This week’s spotlight is put on “Satisfaction,” an irresistible, up-tempo jam that opened the second side of Champlin’s 1981 album “Runaway.”

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Jan 182015

 from THAT’S THE WAY TO GO (single)

Written by David Foster, Jay Graydon & Jack Conrad

The Bottom Line’s “Crazy Dancin'” was one of the first disco albums developed in the United States around the mid-seventies. This project was the brainchild of well-known musician/songwriter Jack Conrad. He decided to bring to America the disco sounds that were so hot in Europe around those days. Conrad was renowned for writing and playing on albums for Three Dog Night, The Babys, Paul Williams, Kiki Dee and The Doors.

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