Jan 212018
 

from THE BEST OF EARTH, WIND & FIRE VOL. 1
Written by Maurice White, Al McKay & Allee Willis

The monster 1978 hit “September” was probably the most successful song ever released by legendary soul/R&B band, Earth, Wind & Fire. This breezy, feel-good anthem was co-written by the band’s leader, the late, great Maurice White (1941 to 2016), with EWF’s former guitar player, Al McKay. The positive lyrics were conceived by Mr. White together with renowned tunesmith, Allee Willis. The song was recorded during the sessions for the I Am album around September, 1978. Starting from McKay’s flamboyant intro, the song developed into one of the catchiest and most memorable funk/soul numbers ever. An important, but little-known, fact for David Foster fans was that The Hitman, who was a key figure on those 1978 sessions, played keyboards on “September” just like he did on most of the I Am tracks.

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Jan 142018
 

from A LOVE LIKE OURS
Written by Bruce Roberts & Junior Miles

A Love Like Ours was Barbra Streisand’s 28th studio album. It saw the light of day on September 21st, 1999. The string of effective love ballads included on that project celebrated her recent marriage with veteran TV and movie actor James Brolin. A Love Like Ours was the classic triumph of traditional pop with a bulk of perfectly-dosed tender love songs that, from time to time, ventured into light jazz, Latin-tinged pop and radio-friendly, adult contemporary stuff. David Foster was one of several heavyweight music-makers on board and produced two tracks.

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Jan 072018
 

from MIDDLE MAN
Written by David Foster & Boz Scaggs

To start 2018 in style, here’s “Middle Man,” the energetic title-track from Boz Scaggs’ 1980 platinum release. This up-tempo composition was another great Scaggs co-write with David Foster who arranged and played the bulk of this classic album. The title-track got the boogie-rock treatment with an inspired and powerful vocal performance by the legendary Bay Area singer supported by soulful female background vocal harmonies.

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Dec 312017
 

from TIME FOR CHANGE
Written by Jud Friedman, Allan Rich & Chris Walker

Wendy Moten is a gifted r&b singer born in Memphis, TN. Although blessed with a beautiful voice, Ms. Moten only released a handful of solo records in her 20-plus years career and never reached the level of success that her impressive vocal skills deserve.

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Dec 242017
 

from MERRY CHRISTMAS BABY
Written by David Foster & Linda Thompson

“Grown-up Christmas List,” composed by David Foster and Linda Thompson, is one of the true modern-day Christmas classics together with Mariah Carey’s “All I Want For Christmas,” co-written by Foster’s pal Walter Afanasieff, and Wham’s perennial hit, “Last Christmas,” written and sung by the late George Michael (1963-2016). Foster originally recorded “Grown-up Christmas List” in 1990 with the late Natalie Cole (1950-2015) for his solo River Of Love album. That first version was also included in Foster’s 1993 The Christmas Album.

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Dec 172017
 

from ARETHA
Written by Willard Eugene Price

“Come To Me” was an evocative ballad recorded by the legendary Aretha Franklin for her 1980 Aretha album. Aretha was Ms. Franklin’s debut with Clive Davis’ Arista Records label. That record featured the Queen Of Soul into an updated, pop-oriented, glossy sound that was achieved with the help of some of the hottest LA session cats including David Foster playing keyboards and synthesizers on a few tracks.

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Dec 102017
 

from GOING FOR THE GLOW
Written by David Foster & Brenda Russell

“It’s Something” was a soul/pop composition co-written by David Foster with singer/songwriter Brenda Russell around 1980. This breezy mid-tempo was one of the most successful songs of Foster’s early repertoire. Through the years, “It’s Something” has been sung by Ms. Russell, r&b singer Leslie Smith and the fabulous Lalah Hathaway who recorded it twice and even received a 2014 Grammy for her sublime, soul/jazz rendition on Snarky Puppy’s Family Dinner – Volume 1cd. The first version of “It’s Something” belongs to the underrated, r&b singer Donna Washington who cut the tune in 1981 for her Going For The Glow album.

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