SONG OF THE WEEK http://www.fozfan.com A site dedicated to David Foster Sun, 31 Aug 2014 16:03:42 +0000 en-US hourly 1 http://wordpress.org/?v=3.9.2 ESTATE http://www.fozfan.com/2014/08/31/estate/ http://www.fozfan.com/2014/08/31/estate/#comments Sun, 31 Aug 2014 16:02:35 +0000 http://www.fozfan.com/?p=4662 [...]]]> from UNDER THE DESERT SKY
written by Bruno Martino & Bruno Brighetti

Andrea Bocelli’s “Under The Desert Sky” was a cd/DVD release that features the Italian superstar’s December 2005 concert at Lake Las Vegas. This special event was broadcast throughout 2006 on the American TV network PBS with high ratings. The tracklist presents gorgeous live renditions of many songs from the tenor’s multi-platinum smash album “Amore.” David Foster and Humberto Gatica were responsible for the impeccable production of “Amore” and in charge for “Under The Desert Sky.”

Foster joined Bocelli on stage, playing piano and directing the star-studded orchestra while Gatica took command of the state of the art sound. Foster’s work on the arrangements was absolutely magnificent and perfectly suited Bocelli’s impeccable vocal performances. The backing band included session giants like Vinnie Colaiuta, Neil Stubenhaus, Tollak Ollestad, Dean Parks, Randy Waldman and Ramon Stagnaro.

Among the many gems recorded for this concert was a fantastic rendition of an Italian evergreen – Bruno Martino’s “Estate.” Originally included as a bonus track on “Amore,” Foster gave “Estate” his usual outstanding treatment with an irresistible, jazzy spin. The plus was Bocelli’s tender and bittersweet performance backed by Randy Waldman’s trumpet playing. Through the decades, “Estate” has become an international standard recorded by a who’s who of stars including gorgeous takes by Joao Gilberto, Chet Baker, Michel Petrucciani and Mina. Without a doubt, Bocelli’s intense version belongs with the elite of amazing covers.

“Under The Desert Sky” has musical and visual beauty. It was justly nominated for two Emmys in 2006 and certified gold in the US. This special endeavor doesn’t just feature Bocelli’s superb voice. “Under The Desert Sky” presents to audiences and viewers Bocelli’s unique interaction with Foster that will develop even more on subsequent music projects and special concerts.


Listen


Lead Vocals: Andrea Bocelli
Trumpet: Randy Waldman
Piano: David Foster
Drums: Vinnie Colaiuta
Bass: Neil Stubenhaus

Arranged by David Foster

Produced by David Foster & Humberto Gatica


Lyrics

Estate
Sei calda come il bacio che ho perduto
Sei piena di un amore che è passato
Che il cuore mio vorrebbe cancellare

Estate
Il sole che ogni giorno ci scaldava
Che splendidi tramonti dipingeva
Adesso brucia solo con furor

Tornerà un altro inverno
Cadranno mille pètali di rose
La neve coprirà tutte le cose
E forse un po’ di pace tornerà

Odio l’Estate
Che ha dato il suo profumo ad ogni fiore
L’ estate che ha creato il nostro amore
Per farmi poi morire di dolor

Odio l’Estate

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IT’S THE FALLING IN LOVE http://www.fozfan.com/2014/08/24/its-the-falling-in-love-2/ http://www.fozfan.com/2014/08/24/its-the-falling-in-love-2/#comments Sun, 24 Aug 2014 16:39:39 +0000 http://www.fozfan.com/?p=4654 [...]]]> from ECCENTRIC AUDIO
written by David Foster & Carole Bayer Sager

From time to time, we discover interesting renditions of songs from the amazing David Foster songbook. This time it’s a beguiling dance cover of “It’s The Falling In Love” by UK modern funk duo Smoove & Turrell. The song was co-written in the late seventies by Foster and Carole Bayer Sager. “It’s The Falling In Love” was recorded by Michael Jackson for his mega-seller album “Off The Wall” and by other famous artists like Dionne Warwick and Dee Dee Bridgewater. Smoove & Turrell included their take of “It’s The Falling In Love” on their 2011 sophomore cd “Eccentric Audio.”

D.J. and music-maker Jonathan Scott Watson, aka Smoove, along with singer/songwriter John Turrell gave a delicious, modern spin to this classic pop tune and brought it into musical territories not too far from Daft Punk’s giant hit album “Random Access Memories.” Turrell’s soulful vocal performance is right on target and the upbeat arrangement is absolutely irresistible which makes this a perfect party tune. The whole “Eccentric Audio” cd is extremely interesting with a great blend of funk, soul and disco gems including “Wasted Man,” “In Deep,” “Hard Work” and “Don’t Let It Go To Your Head.” Turrell’s voice echoes other UK singers like Paul Weller and Peter Cox of Go West and really shines on the entire recording. This cd is highly recommended if you’re looking for new music with some “old school” influences.

Recently, Smoove & Turrell released “Broken Toys,” their new cd. “Broken Toys” is another fantastic showcase of the duo’s superior talent and is chock-full of good music.


Listen


Vocals: John Turrell
Drum Programming & Programming: Smoove
Keyboards: Mike Porter
Bass: Andy Champion
Guitar: Athol Cassidy

Produced by Smoove


Lyrics

1st Verse
You’re Not Like Anybody I Ever Knew
But That Don’t Mean That I Don’t Know Where We Are
And Though I Find Myself Attracted To You
This Time I’m Trying Not To Go Too Far, Cause

Bridge
No Matter How It Starts It Ends The Same
Someone’s Always Doing Someone More
Trading In The Passion For That Taste Of Pain
It’s Only Gonna Happen Again

Chorus
It’s The Fallin’ In Love That’s Makin’ Me High
It’s The Being In Love That Makes Me Cry Cry Cry
It’s The Fallin’ In Love That’s Makin’ Me High
It’s The Being In Love That Makes Me Cry Cry Cry
All Night… All Night

2nd Verse
And Though I’m Trying Not To Look In Your Eyes
Each Time I Do They Kind Of Burn Right Through Me
Don’t Want To Lay Down In A Bed Full Of Lies
And Yet My Heart Is Saying Come And Do Me

Bridge
Now We’re Just A Web Of Mystery
A Possibility Of More To Come
I’d Rather Leave The Fantasy Of What Might Be
But Here I Go Falling Again

Chorus
It’s The Fallin’ In Love That’s Makin’ Me High
It’s The Being In Love That Makes Me Cry Cry Cry
It’s The Fallin’ In Love That’s Makin’ Me High
It’s The Being In Love That Makes Me Cry Cry Cry
It’s The Fallin’ In Love That’s Makin’ Me High
It’s The Being In Love That Makes Me Cry Cry Cry
It’s The Fallin’ In Love That’s Makin’ Me High
It’s The Being In Love That Makes Me Cry Cry Cry
Over You… Over You (All Night)

Chorus
It’s The Fallin’ In Love That’s Makin’ Me High
It’s The Being In Love That Makes Me Cry Cry Cry
It’s The Fallin’ In Love That’s Makin’ Me High
It’s The Being In Love That Makes Me Cry Cry Cry
All Night… All Night

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BABY LOU http://www.fozfan.com/2014/08/17/baby-lou/ http://www.fozfan.com/2014/08/17/baby-lou/#comments Sun, 17 Aug 2014 16:38:38 +0000 http://www.fozfan.com/?p=4649 [...]]]> from ROCK’N’ROSE
written by Alain Chamfort, Michel Pelay & Serge Gainsbourg

Between the late seventies and the early eighties, many famous European acts recorded albums in California to incorporate their sounds with the magnificent atmospheres of the LA session scene of that era. Good examples were releases by important names like Riccardo Cocciante, Umberto Tozzi , Lucio Battisti, Alan Sorrenti and Alberto Fortis from Italy, Michel Berger, Alain Chamfort, Grimaldi/Zeiher, Sheila and Michel Polnareff from France, Ted Gardestad and Tommy Nilsson from Sweden. On these albums, you can find different studio legends including Ray Parker, Jr., the late Jeff Porcaro, Steve Lukather, Bill Champlin, Richard Page, Ed Greene, Mike Melvoin, Abe Laboriel, Greg Mathieson, Lee Ritenour, Jay Graydon, David Foster and many, many more. Foster appeared prominently in Sorrenti’s “Figli Delle Stelle” and Chamfort’s “Rock’N’Rose.” Both album were recorded in 1977 and include catchy pop songs with extraordinary instrumental back-up and refined arrangements. We reviewed “Figli Delle Stelle” years ago, so this time around we focus on “Rock’N’Rose.”

In the first half of the seventies, Alain Chamfort, born Alain Le Govic, built a good career in France with several light pop hit singles. Chamfort often co-wrote with his songwriting partner Michel Pelay and leaned towards teen audiences. That lightweight material and music direction wasn’t Chamfort’s cup of tea so, in 1977, he started a more refined musical partnership with legendary singer/songwriter Serge Gainsbourg. The first result of their collaboration was “Rock’N’Rose.” That album paired Chamfort’s catchy music ideas with Gainsbourg’s inventive lyrics. Add to the picture the top notch musical scenario created by Sylvester Rivers, Foster, the Porcaro Brothers, Mike Baird, Graydon and Jay Winding and you get a convincing pop record with several interesting moments. The instrumental tracks show traces of what will come to full bloom on albums by Airplay and Toto. One plus throughout “Rock’N’Rose” is Steve Madaio’s fantastic work on the horn arrangements. The single off the album was an up-tempo rocker titled “Joujou à la Casse” that included a rich texture of guitars, strings and horns guided by Porcaro’s powerful drumming. The most popular song on the album, though it wasn’t a single, is entitled “Baby Lou.” It presents a gorgeous melody with an overall gloomy atmosphere enpowered with lush strings and horns. This song was covered years later by both Lio and Jane Birkin.
Other good moments on “Rock’n’Rose” are the disco-flavored title track and the refined mid-tempo “Lucette Et Lucie”, both perfectly showcasing the great talent of the backing musicians. “Rock’N’Rose” may sound dated to today’s casual listener, but it’ll be a nice surprise to older quality music lovers and give them a strong nostalgic experience.


Listen


Lead Vocals: Alain Chamfort
Drums: Jeff Porcaro, Ed Greene & Mike Baird
Keyboards: David Foster, Jay Winding & Steve Porcaro
Bass: James Jamerson, Jr. & Mike Porcaro
Guitars: Richie Zito, Jay Graydon, Dan Ferguson, Michael Henderson & Greg Poree
Percussion: Ray Cooper
Synthesizer: Michael Boddicker

Rhythm Arrangements by Sylvester Rivers
Horn Arrangements by Steve Madaio
String Arrangements by Richard Hewson

Produced by Paul Boussard & Michel Pelay


Lyrics

Sur les abords du périphérique
J’t’ai aperçue par ma vitre
On aurait dit comme le générique
D’un film Ricain sans sous-titres
Tu n’m’as même pas d’mandé où j’allais
On aurait dit que tu t’en foutais

Moi, je filais droit vers l’Atlantique
Voir les bateaux qui chavirent
J’voulais me noyer dans l’romantique
L’idée semblait te séduire
Tu m’dis : “J’n’ai jamais vu l’océan
Qui sait, là-bas c’est p’t-être plus marrant !”

J’ai compris ta philosophie
Baby Lou
Et ta façon de voir la vie
Baby Lou

Et pourquoi pas
Si c’est c’qui te va ?
Tu n’es pas concernée
Plutôt du genre consterné

J’te regarde dans l’rétro d’la Buick
Sous les nuages qui s’déchirent
Compter les poteaux télégraphiques
Tu n’trouves rien d’autre à me dire
Tu as vraiment l’air de te foutre de tout
De prendre tous les autres pour des fous

C’est toute ta philosophie
Baby Lou
C’est ta façon de voir la vie
Baby Lou

Et pourquoi pas
Si c’est c’qui te va ?
Tu n’es pas concernée
Plutôt du genre consterné

Et pourquoi pas
Si c’est c’qui te va ?
Tu n’es pas concernée
Plutôt du genre consterné

Regarde voir la mer
Comme toi tout aussi amère

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CINDERELLA BEAUTIFUL http://www.fozfan.com/2014/08/10/cinderella-beautiful/ http://www.fozfan.com/2014/08/10/cinderella-beautiful/#comments Sun, 10 Aug 2014 11:57:55 +0000 http://www.fozfan.com/?p=4642 [...]]]> from EAST OF ANGEL TOWN
written by Peter Cincotti & John Bettis

Every now and then we feel the urge to go back and listen to Peter Cincotti’s 2007 album East Of Angel Town. The main reason is that East Of Angel Town is a magnificent record, one of the best pop collections ever heard in the new millennium and certainly one of David Foster’s most challenging productions in recent years. On this album, the wildly gifted singer/songwriter/piano player presented a fantastic string of pop songs that wonderfully blended quality pop, jazz, blues and refined funk. We never tire of spreading the word about East Of Angel Town for its superior musical value. It’s pretty sad that such an endeavor only found limited commercial success in Europe, but it was criminally overlooked in North America, especially thanks to Warner Bros. Records’ off-target release strategy.

Every detail on this recording is top notch – from Cincotti’s amazing vocal and instrumental performances to the beautifully conceived music, sharp lyrics and perfectly crafted production and arrangements. Foster and Humberto Gatica with the precious help of co-producer Jochem van der Saag gave Cincotti all the right tools to become the next Billy Joel. And Cincotti added the best of his talents to the mix. Probably the high level of sophistication of East Of Angel Town was too much for today’s music market unless your name is Steely Dan.

Among the many gems on this album, we put the spotlight on the wonderful ballad “Cinderella Beautiful.” This is one of the songs where the comparison with the legendary “Piano Man” from the Bronx is almost inevitable. The elegant atmosphere echoes Joel’s timeless voice-piano ballads on “The Stranger,” “Turnstiles” or “52nd Street” with bittersweet lyrics courtesy of John Bettis, the to-die-for refrain and even a gorgeous saxophone backing by Scott Kreitzer. We can’t help but think that a ballad of this caliber would have been a top hit in the late seventies/early eighties when refined pop music was still selling millions and topping the charts.

You are strongly suggested to discover East Of Angel Town. Cincotti’s art is in full bloom with the unmistakable support of Foster and his ultra-talented team.


Listen


Lead Vocals & Piano: Peter Cincotti
Acoustic Guitar: Dean Parks
Electric Guitar: Michael Thompson
Drums: Obed Calvaire
Organ: David Foster
Organ & Wurlitzer Electric Piano: Jochem van der Saag
Bass: Barak Mori
Saxophone: Scott Kreitzer
Produced by David Foster, Humberto Gatica & Jochem van der Saag


Lyrics

Like april snow blowing around in gramercy park
The two of us were never meant to last

You left your traces and drove away like a circus in town
A three-ring show that comes and goes too fast

The best of friends have been divided by a kiss
If we can’t love again
I can always remenisce

Cinderella beautiful
This one is for you
We almost made our fairy tale come true
Happy ever after was
Unavailable
Now, two years after midnight
I’m still thinking of those yesterdays
When I was prince charming
And you were cinderella beautiful

You know I don’t like christmas
But thanks for the holiday card
I didn’t know you moved so far away

The winter months were the usual mess
Back here in new york
Every day another shade of grey

I’m doing fine
But sometimes every now and then
I miss who I was with you
And I wonder where he went

Cinderella beautiful
This one is for you
We almost made our fairy tale come true
Happy ever after was
Unavailable
Now, two years after midnight
I’m still thinking of those yesterdays
When I was prince charming
And you were cinderella beautiful

And I know our time has come and gone away
So why do I waste my nights
Dreaming of a you and me that can never be again?

Happy ever after was
Unavailable
Now, two years after midnight
I still thinking of those yesterdays
When I was prince charming
And you were cinderella beautiful

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GONNA DO MY BEST TO LOVE YOU http://www.fozfan.com/2014/08/03/gonna-do-my-best-to-love-you/ http://www.fozfan.com/2014/08/03/gonna-do-my-best-to-love-you/#comments Sun, 03 Aug 2014 21:21:55 +0000 http://www.fozfan.com/?p=4637 [...]]]> from TRY MY LOVE
written by David Foster, Brenda Russell, Brian Russell

R-150-831435-1163270182

Carmen Rosa Vega, aka Tata Vega, is a veteran R&B/gospel vocalist whose powerful voice can be heard on numerous recordings by popular acts including Kenny Loggins, Philip Bailey, Stevie Wonder, Melissa Manchester, Andraé Crouch and Patti Labelle. Apart from being a top-notch session singer, through the years Vega released a series of R&B and gospel albums that showcased her impressive vocal range and superior singing skills. In the second half of the seventies, the singer signed to Tamla Motown Records and subsequently released four solid albums on that label.

All those records were produced by her manager Winston Monseque and were fine examples of the most elegant soul/disco genre of that era.

Vega’s 1978 release for Tamla Motown was “Try My Love,” a beautiful album that was probably the best of the bunch. It touches several corners of the most elegant black music; from soulful up-tempos to smooth ballads and some tasteful disco numbers. The track list included material written by noted composers from that time including Dave Grusin, Will Jennings, Ned Doheny, Brian & Eddie Holland, Brenda Russell and David Foster. The record was mostly arranged by Andre Fisher, the former drummer of Rufus who went on to produced Russell’s first solo album in that same time frame. Among the best tracks was Vega’s rich, catchy rendition of Doheny’s “Get It Up For Love,” a famous tune that was covered by Average White Band with Ben E. King and David Cassidy. Vega’s take on the song was superb and was paired with “I Just Keep Thinking About You Baby” on a double A-side single. “Get It Up For Love”/”I Just Keep Thinking About You Baby” became a moderate hit on the R&B chart at #58 and a top twenty hit on the Disco chart.

Another superb soul/disco moment was “Gonna Do My Best To Love You,” an original disco hit by Brian & Brenda Russell included on their 1976 album “World Called Love.” Co-written by Brian & Brenda with a young, up ‘n’ coming Foster, “Gonna Do My Best To Love You” finds Vega in Chaka Khan’s funk/soul territory. The song’s ear candy arrangement was beautifully embellished with punching horns and a tight rhythm section while the singer dominated the scene with a rousing performance.

“Try My Love” offers other goodies including the smooth ballad “In The Morning” and a couple of catchy mid-tempos, “I Need You Now” and “Magic Feeling.” The album as a whole got a positive review on Billboard that especially praised Vega’s vocal excellence and featured the singer’s limitless range and punchy instrumentation plus the album’s commercial production.

In the eighties, Vega crossed Foster’s path once more when she sang “Learn To Love Again,” a gorgeous duet ballad with the late, great Lou Rawls. The song was co-written by Foster with Jay Graydon and Richard Page and appeared on Rawls’ 1986 album, “Love All Your Blues Away.”

This talented singer can be heard once again on the soundtrack of the famous movie, “The Color Purple” singing four numbers including the Academy Award-nominated song, “Miss Celie’s Blues.”
Vega was recently featured with many other gifted vocalists in the Academy Award winning documentary, “Twenty Feet From Stardom” that’s a great inside look at the amazing work of top session backing vocalists.


Listen


Tata+Vega+Twenty+Feet+Stardom+Portraits+2013+x3pYQBoiWdJl

Lead Vocals: Tata Vega
Backing Vocals: Brenda Russell

Arranged by Andre Fisher

Produced by Winston Monseque
Co-Produced by Andre Fisher


Lyrics

No Lyrics

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LUCK BE A LADY http://www.fozfan.com/2014/07/27/luck-be-a-lady/ http://www.fozfan.com/2014/07/27/luck-be-a-lady/#comments Sun, 27 Jul 2014 19:50:58 +0000 http://www.fozfan.com/?p=4630 [...]]]> from BACK TO BROADWAY
written by Frank Loesser

The summer of 1993 witnessed the release of “Back To Broadway,” Barbra Streisand’s 50thalbum for Columbia Records. As the title suggests, “Back To Broadway” was the superstar’s sequel to her 1985 multi-platinum milestone “The Broadway Album.” David Foster, who collected a Grammy for his stratospheric production of “Somewhere” on “The Broadway Album,” returned to the control room for “Back To Broadway.”

The Canadian super-producer crafted eight songs for the album that skyrocketed to the top of the charts and certified “Back To Broadway” as double platinum. Streisand was vocally at the top of her game, but so was Foster who also produced other giant sellers like “The Bodyguard” soundtrack for Whitney Houston and “The Colour Of My Love” for Celine Dion around the same time. Foster’s incredible, high-tech production and his terrific work with gifted arrangers like Jeremy Lubbock and Johnny Mandel created a true work of art and brought new life to a series of unforgettable Broadway classics. “Back To Broadway” also got two Grammy nominations as Best Traditional Pop Vocal Performance and Best Pop Vocal Performance, Duo or Group for the song “The Music Of The Night.”

Although many songs were notable on “Back To Broadway,” a couple of beautiful tunes stand out. “Some Enchanted Evening,” arranged by Foster and Mandel, and “Luck Be A Lady,” arranged by Lubbock, got a 1994 Grammy nod as Best Arrangement Accompanying Vocals. Foster and Lubbock were on a creative roll and basically stole the category that year. They were nominated for Houston’s “I Have Nothing” and took the award for Celine Dion’s “When I Fall In Love.”

It’s impossible to pick just one song from this fantastic release. The jazzy, horn-driven and festive take on Frank Loesser’s “Luck Be A Lady” won our attention. Everything on this number is noteworthy; from Streisand’s top-notch vocal performance to Lubbock’s extraordinary work and Foster’s absolutely perfect production. This song shows Foster’s unique ability to modernize a classic tune without losing its original power and value.

1994 saw a triumph for Foster as Producer Of The Year for the third time in his career thanks to “The Bodyguard” wild success and his fantastic work on both “The Colour Of My Love” and “Back To Broadway.” Kudos Mr. Foster, kudos.


Listen


Lead Vocals: Barbra Streisand
Keyboards: David Foster
Drums: Jeff Hamilton
Percussion: Paulinho da Costa
Synthesizer: Mark Portmann

Arranged & Conducted by Jeremy Lubbock
Produced by David Foster
Co-Produced by Barbra Streisand


Lyrics

They call you lady luck
But there is room for doubt
At times you have a very un-lady-like way
Of running out

Your on a date with me
The pickings have been lush
And yet before this evening is over you might give me the brush
You might forget your manners
You might refuse to stay
And so the best that I can do is pray

Luck be a lady tonight, luck be a lady tonight
Luck if you’ve ever been a lady to begin with
Luck be a lady tonight

Luck how I’m longing to see
How good a friend you can be
Stick with me sister, I’m the one that you came in with
Luck be a lady with me

A lady doesn’t leave her escort
It isn’t fair, it isn’t nice
A lady doesn’t wander all over the joint
And blow on some other guy’s dice

So, let’s keep the party polite
Hmm
Never get out of my sight
Stick with me sister
I’m the gal that I came in with
Luck be a lady tonight

A lady wouldn’t flirt with strangers
She’d have heart, she would have a soul
A lady wouldn’t make little sneak eyes at you
When I’ve bet my life on this roll

So, let’s keep the party polite
Never get out of my sight
Stick with me pal
‘Cause I’m the gal that you came in with
Luck be a lady
Luck be a lady
Luck be lady tonight

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LOVE FLOWS http://www.fozfan.com/2014/07/20/love-flows/ http://www.fozfan.com/2014/07/20/love-flows/#comments Sun, 20 Jul 2014 21:34:50 +0000 http://www.fozfan.com/?p=4621 [...]]]> from PAST TO PRESENT – THE 70S
written by David Foster, Jay Graydon & Harry Garfield

This week, we go back to the late seventies and “Love Flows,” a little-known yet gorgeous collaboration between David Foster and Jay Graydon. This sweet love song remained in Graydon’s vaults until 2006 when the super-producer finally released “Past To Present – The 70s.” Graydon’s cd was a compilation that included many demo treasures recorded in the second half of 1970 by the former Airplay member and right before his big break with Al Jarreau and The Manhattan Transfer.

Those were the days when Foster and Graydon were working together on a daily basis, co-writing stuff like the now legendary EWF song, “After The Love Is Gone.” The two gifted, up’n’coming music-makers were helping each other out on their various productions and many of those early sessions ended up on this special project cd. A large part of these demos were eventually recorded by famous acts like Bill Champlin, Cory Wells, The Waters, Mariya Takeuchi, Jaye P. Morgan and, of course, Airplay along with many others. “Love Flows,” with romantic lyrics by Harry Garfield, never caught the attention of any recording acts despite its wonderful melody and ear-candy potential. The demo included on “Past To Present – The 70s” was sung by Ed Whiting, a talented singer/songwriter who often collaborated with the Airplay duo. The basic track was played by the late Jeff Porcaro and David Hungate from the original Toto rhythm section with Foster playing beautifully on his acoustic piano. Although Foster’s arrangement is powerful and intense, it makes us long for a lush orchestral back-up that would have added even more emotion to this ballad.

Graydon wrote detailed, song-by-song liner notes and this is a brief excerpt from “Love Flows”:

“…I assume the song was either recorded as a demo for Ed Whiting (looking for a record deal), or simply a demo as to place with a recording artist. Foster, Porcaro and Hungate playing great as usual! Ed Whiting is a great singer! Note that Ed’s performance was recorded quickly — just a few punch-ins! He gets out of vocal range during the last chorus round but his soul comes through big time!”

The cd also includes a bonus version of the song without Whiting’s vocal. This version has a guide vocal sung by Foster and Graydon added to the mix. It’s a rare document that shows how these two music geniuses recorded melodies and ideas. It’s absolutely priceless for fans.

To close this review, here are some more words by Graydon:

“…in this mix I ‘cranked up’ David and me singing a guide melody and talking about the melodic ideas as to paint the melodic picture. You will note David outlined the orchestral stuff. Sadly, never recorded as a master, but the good news is this version exists!!!”


Listen


Lead Vocals: Ed Whiting
Piano: David Foster
Bass: David Hungate
Drums: Jeff Porcaro

Arranged by David Foster
Produced by Jay Graydon & David Foster


Lyrics

No lyrics

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